Oscar Nomination 2024

 

Big snob: Greta Gerwig, Margot Robbie, Willem Dafoe, 久石讓, Alexander Payne, May December (Charles Melton, Julianne Moore), Saltburn, Milo Machado Graner, Dominic Sessa
Personal favorite❤: Poor Things, Barbie, The Holdovers, Anatomy of a Fall
Don't like it👎: Oppenheimer, Killers of the Flower Moon, Maestro, Napoleon

  

第96屆奧斯卡金像獎 入圍名單與預測
Oscar Nomination 2024 ~ Sould win❤, Would win♛, 👎Waste of slot

● ACTOR IN A SUPPORTING ROLE
STERLING K. BROWN [American Fiction]
ROBERT DE NIRO [Killers of the Flower Moon] 👎
ROBERT DOWNEY JR. [Oppenheimer] ♛
RYAN GOSLING [Barbie] ❤
MARK RUFFALO [Poor Things]

● ACTRESS IN A SUPPORTING ROLE
EMILY BLUNT [Oppenheimer] 
DANIELLE BROOKS [The Color Purple]
AMERICA FERRERA [Barbie]
JODIE FOSTER [Nyad] ❤
DA'VINE JOY RANDOLPH [The Holdovers] ❤♛

● ACTOR IN A LEADING ROLE
BRADLEY COOPER [Maestro] 👎
COLMAN DOMINGO [Rustin]
PAUL GIAMATTI [The Holdovers] ❤
CILLIAN MURPHY [Oppenheimer] ♛
JEFFREY WRIGHT [American Fiction]

● ACTRESS IN A LEADING ROLE
ANNETTE BENING 《Nyad》
雖然勵志感人，但(Oscar Bait真人傳記類型)角色本人太飽太滿，不太正常(所以才會堅持這種玩命的不可能挑戰)，缺乏層次與成長曲線，個人認為比較偏["終生成就"鼓勵性質提名]。

LILY GLADSTONE 《Killers of the Flower Moon》
(Oscar Bait真實事件改編類型+"少數民族、史上首度"PC因素) 內斂且表現空間其實不多的角色，[其實提女配角會更貼切]，加上電影本身不是很好看或寫實 (把奧塞奇人描寫得相當平板，我完全無法理解她為什麼會愛上嫁給李奧的角色，開車時的幾句尬虧? 完全沒有說服力)。

CAREY MULLIGAN 《Maestro》
電影本身真的不太優，基本上都靠她撐住，在先天失調的狀態下，她盡力了，她是絕對值得與有得獎的實力，但這個蠻一般的角色(丈夫外遇、自我犧牲的太太+Oscar Bait真人傳記類型)和電影的拖累，不足。

SANDRA HÜLLER 《Anatomy of a Fall》❤
強敵，是個飽滿、情緒表現完整、多層次的女性角色，很成人洗練、聰明的優秀電影核心，發人深省的寫實風格，她得獎的話某種程度我也能夠接受。
弱點: 德國人演的法語片(而且這之前在美國的知名度不足)，國族主義障礙，除非(如《寄生上流》)明確優秀遠超好幾馬身，影藝學院基本上還是不喜歡把重要演技大獎給非英語系外國人的。

EMMA STONE 《Poor Things》 ❤♛
看完讓我內心激動的優秀電影的核心，這完全就是個設計讓女演員[全面性]發揮的角色，從最誇張到內斂，各個階段的演進過程全部表演給你看，有充分的空間讓她表現各種情緒，而她徹底脫了一層皮的演出也讓我經歷了各種情緒(爆笑/憤怒/悲傷/不捨/賦權/啟發)，她不贏我真心覺得沒天理! 但奧斯卡反應總是慢半拍，老是在最該給獎的當下辜負人，然後下次再補償性反應，所以我也做好了失望的心理準備。
弱點: 她已經得過一座奧斯卡了(這不該是問題，但現實上就是多少會影響)，電影實驗色彩、風格與表現手法非常強烈，對保守的影藝學院而言稍顯怪異。

● ANIMATED FEATURE FILM
THE BOY AND THE HERON ❤♛
ELEMENTAL
NIMONA
ROBOT DREAMS
SPIDER-MAN: ACROSS THE SPIDER-VERSE ❤

● INTERNATIONAL FEATURE FILM
IO CAPITANO [Italy]
PERFECT DAYS [Japan] ❤
SOCIETY OF THE SNOW [Spain]
THE TEACHERS' LOUNGE [Germany]❤
THE ZONE OF INTEREST [UK] ❤♛

 

 

● BEST PICTURE (Ranked)

POOR THINGS ❤
ANATOMY OF A FALL ❤
BARBIE ❤
THE ZONE OF INTEREST ❤
THE HOLDOVERS ❤
OPPENHEIMER ♛
AMERICAN FICTION
PAST LIVES
KILLERS OF THE FLOWER MOON
MAESTRO 👎

● DIRECTING
ANATOMY OF A FALL - Justine Triet ❤
POOR THINGS - Yorgos Lanthimos ❤
THE ZONE OF INTEREST - Jonathan Glazer ❤
這三部優秀，提名實至名歸，哪位贏了都合理

OPPENHEIMER - Christopher Nolan ♛
這部是我最不喜歡的Nolan電影 (同樣二戰時期, 描寫Alan Turing的"The Imitation Game"無論是本人、貢獻還是改編的傳記電影都遠勝"Oppenheimer")，但這是很成功很剛好的Oscar bait (沒有做得像Maestro是過油、太渴求、失敗的Oscar bait)，加上天時地利人和，與過去的成就和生涯肯定，很可惜的他可能會贏 (他該贏的話也該由The Prestige，The Dark Knight，Interstellar這幾部贏)

KILLERS OF THE FLOWER MOON - Martin Scorsese 👎
太老梗、冗長了，是部用意也許好，但不好看也不真實的電影(把印第安人描寫得像Caricature) ，也是另一種類型的Oscar bait (在地大屠殺)，我對真實的事件較有感，對這部無感，他的名額完全該給Greta Gerwig 
《芭比》有非常多的層面可以去挖掘，商業性/藝術性/娛樂性/哲學性/社會批判/人文關懷，而它的最高成就在於，它的平衡感做得非常好 (能力六角雷達圖很強)，而且她能夠把沒有明確故事、沒有明確個性、任由他人投射特性的玩具，閃過玩具公司、片廠干預順利拍成電影，更遑論是年度銷售冠軍的現象級電影，我認為今年被提名的導演沒有一個人能做到。奧斯卡要件: [藝術性/歷史價值/對那年電影產業的創作有一定影響]，芭比全部符合，問題是它的商業成就和通俗化，對這種具有名望的高傲影藝學院而言是致命缺點(即使他們自己做不到，卻覺得自己有資格看輕)，這更突顯了去年EEAAO的奇蹟，今年又變回保守愛吃餌的老樣子了

● WRITING (ORIGINAL SCREENPLAY)
ANATOMY OF A FALL [Screenplay - Justine Triet and Arthur Harari] ❤♛
THE HOLDOVERS [Written by David Hemingson] ❤
MAESTRO [Written by Bradley Cooper & Josh Singer] 👎
MAY DECEMBER [Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik] ❤
PAST LIVES [Written by Celine Song]

● WRITING (ADAPTED SCREENPLAY)
AMERICAN FICTION [Written for the screen by Cord Jefferson] ♛
BARBIE [Written by Greta Gerwig & Noah Baumbach] ❤
OPPENHEIMER [Written for the screen by Christopher Nolan]
POOR THINGS [Screenplay by Tony McNamara] ❤
THE ZONE OF INTEREST [Written by Jonathan Glazer]

● MUSIC (ORIGINAL SCORE)
AMERICAN FICTION - Laura Karpman
INDIANA JONES AND THE DIAL OF DESTINY - John Williams 👎
KILLERS OF THE FLOWER MOON - Robbie Robertson
OPPENHEIMER - Ludwig Göransson ♛
POOR THINGS - Jerskin Fendrix ❤

● MUSIC (ORIGINAL SONG)
THE FIRE INSIDE [from Flamin' Hot; Music and Lyric by Diane Warren] 
I'M JUST KEN [from Barbie; Music and Lyric by Mark Ronson and Andrew Wyatt] ❤
IT NEVER WENT AWAY [from American Symphony; Music and Lyric by Jon Batiste and Dan Wilson]
WAHZHAZHE (A SONG FOR MY PEOPLE) [from Killers of the Flower Moon; Music and Lyric by Scott George]
WHAT WAS I MADE FOR? [from Barbie; Music & Lyric by Billie Eilish & Finneas O'Connell] ❤♛

 

 

 

● SOUND
THE CREATOR
MAESTRO
MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
OPPENHEIMER 
THE ZONE OF INTEREST ❤♛

● VISUAL EFFECTS
THE CREATOR ❤
GODZILLA MINUS ONE ❤♛
GUARDIANS OF THE GALAXY VOL. 3
MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
NAPOLEON 

● CINEMATOGRAPHY
EL CONDE - Edward Lachman
KILLERS OF THE FLOWER MOON - Rodrigo Prieto
MAESTRO - Matthew Libatique
OPPENHEIMER - Hoyte van Hoytema ♛
POOR THINGS - Robbie Ryan ❤

● FILM EDITING
ANATOMY OF A FALL - Laurent Sénéchal ❤
THE HOLDOVERS - Kevin Tent ❤
KILLERS OF THE FLOWER MOON - Thelma Schoonmaker
OPPENHEIMER - Jennifer Lame ♛
POOR THINGS - Yorgos Mavropsaridis ❤

● COSTUME DESIGN
BARBIE - Jacqueline Durran ❤
KILLERS OF THE FLOWER MOON - Jacqueline West
NAPOLEON - Janty Yates and Dave Crossman
OPPENHEIMER - Ellen Mirojnick
POOR THINGS - Holly Waddington ❤♛

● MAKEUP AND HAIRSTYLING
GOLDA
MAESTRO 
OPPENHEIMER
POOR THINGS ❤♛
SOCIETY OF THE SNOW

● PRODUCTION DESIGN
BARBIE ❤
KILLERS OF THE FLOWER MOON
NAPOLEON
OPPENHEIMER
POOR THINGS ❤♛